zi xin wong

 

create, not Create

We are always learning from our peers. Uni is such a great place because you are constantly surrounded by those with similar interests ... and what better way to learn by having conversations, right?

Anyway, I attended a mid-semester crit recently and my peers had done some great work. Many things popped up in my head during each presentation, but I have been thinking a lot about one thing in particular that rose up in a lot of students' presentation, and I have to get it off my chest.

As we all know (or should know), language is of utmost importance in any presentation. This one issue that has been bothering me is, how a lot of presentations contained phrases like "I've created a landscaped area here", or "I made the ground floor permeable". I have a slight problem with phrases that suggest what we, as architects do, as powerful, egotistical insertions into the urban environment. When I hear phrases that start with "I've created" or "I made", or similar, I am reminded of the photo of Le Corbusier's hand illustrating the concept for Unité d'Habitation.

Lecorb

Ok, it illustrates the concept, or intention of the designer well, and it is symbolic of the architectural profession in some ways. But, I think, there is no place today for this type of illustration, especially as architecture and construction is a fundamentally collaborative process.

I get it, though, our profession means we are essentially always creating something, designing something, but I think language is key here. Don't make it sound like you are a Creator, with a capital C. In my opinion, it is a little too egotistical, and in simple terms, putting our profession on a pedestal ... which we must not do.

I mean, shift the focus to the people who will be using the space, how the design will add meaning and value to the existing built environment.

(On that note, I have to say now that another thing that bothers me are architectural photographs without people in them. What is this? Buildings are designed to accommodate people and the associated activities ... it is inherently a part of your design. Include people in your photographs, show how the space is being occupied; in the case of remders, how you think it would be occupied.)

I'm not even sure if what I have written made sense, but time must be spent on research for a paper on the impacts and implications of globalisation on architectural practice.

Additional thought ... instead of creating, maybe we can be seen as 'enablers'?

Filed under  //   architecture   thinking aloud  

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brickwork at Wilson Hall

Fantastic brickwork on the exterior of Wilson Hall at uni.

Img_6030

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what I have been working on

Hello there. Here is a little bit about what I have been working on for university - a proposal for a mixed-use development in the Melbourne CBD. These were done for mid-semester crit last week.

This proposal has a trinity all focused around the conceptual centre of the site:

1. Three counterpointed courtyards as open, public space (2 on ground level to draw people through the site; 1 above-ground);

2. A roof that shelters society, offering year-round sun and rain protection; and

Complex_diagram

3. the Melbourne Centre of Contemporary Identity, with three galleries (shadow gallery, ambiguous gallery and light gallery) which circulation focuses on the reorientation of self. A lower and upper courtyard act as constants through the journey.

Mmci_diagram

I am having fun with this, but it is an unfamiliar territory - this is a much larger project than what I am used to. The past few days have been spent on working out a friendly and natural circulation through the retail component of the project.

Below is a pictorial representation from one of the ground level courtyards. More later!

Interiorcourtyard_flattened_03042012

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a diagram

Previous_studio_diagram

I feel like I write this at the start of every post - whoops, been away from this blog for too long. Uni is well and truly in motion. Not terribly excited about the semester (yet?), but I am sure I will find something that will stimulate me further. 

Here is a diagram of all design work at university that I have done in the past few years. It takes into account five main aspects of my work: project size, program, design approach, time, and level of enjoyment/intellectual stimulation (both are relative to each other, of course). It was conceived with a quick study at diagramming of work by Howeler and Yoon, Bjarke Ingels Group (BIG), and what was known as Foreign Office Architects (FOA).

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hey hong kong!

Hey Hong Kong! I have been in here for the past two weeks ... here are some deliciously monochromatic snippet of what I have encountered thus far!

(download)
I will try and squeeze in a post on HK-related observations sometime soon.

This post has been edited ... with more photos:

(download)

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uneasy and awkward

This drawing makes me feel so uneasy and awkward, but I am quite happy with how it turned out ... I think.

Persp_semi_colour

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I am trying to make some use of the summer break by doing things like travelling, making jewellery, cuddling puppies, and learning Illustrator. I did a Matisse Blue Nude a quick exercise. By quick I mean two hours -- HEY I've just started to learn.

Matisse_blue_nude

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photos!

Photo time!

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visual treat

A beautiful video of performance artist Christine Sun Kim, directed by Photographer Todd Selby (The Selby). It reminds one of the intricate beauty in the act of creating ... making with your hands ... craft.

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peas and optimism

Sometimes you just find something oddly attractive and beautiful while doing the most mundane task. I had some peas in the pan and found the arrangement and the texture of half-thawed peas quite interesting indeed.

I often take walks with no destination in mind (it is the journey that matters, afterall). I always try to keep my eyes peeled so I take in what I see as much as possible. More often that not I get small moments of 'delight', which usually puts a smile on my face ... which must, to others walking past, look a little strange because I am smiling by myself for no apparent reason.

When we (my brother and I) were younger, dad always insisted that we 'be alert'. We would play little games to see who was the more alert one. We often received some teasing if we failed to notice something that he did.

Anyway, what I am trying to say is, open your eyes and you will find beauty all around. Too much optimism? Vomit-inducing? Whatever. Here are three images of the abovementioned peas in pan:

(download)

Filed under  //   thinking aloud  

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